by Kevin Outlaw
Reprinted with permission from www.alwaysboardneverboring.blogspot.co.uk
Have you ever been told to go to Hell?
It was one of the best boardgaming recommendations ever. Although, now I come to think of it, I am not sure that shouty, red-faced guy waving his fist on the pedestrian crossing as I drove by was really talking about Claustrophobia...
Either way, I am glad I booked my one way ticket to hell (and back), because Claustrophobia quickly became a jewel in my gaming collection, more than capable of holding its own against the likes of Space Hulk and Gears of War. And the reason for its success is a set of mechanisms that are so slick they probably taught the Jets how to dance.
In fact, this game is more than slick. There's no clutter, no fiddly rules, no exceptions. There is just game. Stacks and stacks of bloody brilliant game, crammed into a rule set so streamlined you get faster when you walk behind the box.
Here, pull up a chair, and I'll tell you about it... No, not that chair. That's my dark throne.
Only I get to sit there.
You can sit here. Just push the bits of bodies onto the floor. One of the trogs will "clean them up" later.
Right, Claustrophobia is an asymmetric two-player miniatures skirmish adventure game thingy. One player gets to control a small group of humans, and the other player gets to control an endless stream of troglodyte warriors and demonic beasties. All of these characters are represented with rather lovely pre-painted (fully assembled) miniatures, which are incredibly well done and look great on the board.
For the good guys (and I use that term loosely, because the humans have actually invaded Hell and are technically the wrongdoers here), there is a Redeemer who leads the team, two Blades, and two Brutes.
The Redeemer is an interesting choice, as rather than being a great warrior, he is a priest who leads his allies with the force of his religious convictions. He is a competent fighter, but his main strengths are raising morale, healing, and guiding everyone through the darkness. And he has a big hammer, because for some folk, the way you deliver your message is just as important as the message itself.
The Redeemer is the lynchpin in a team that otherwise comprises condemned criminals, who literally have to go through Hell to win a second chance at life. There are fast-moving Blades, who nimbly duck and weave through the tunnels, and there are the lumbering Brutes, who can soak up damage and keep their allies alive.
This is far from your traditional team of goody-goody heroes. This is a group of doomed men who just want to slip through the cracks in the system, and a zealot who wanted to bring order to chaos, but somehow got lost along the way.
I don't think I have ever seen a game that creates such a strong metaphor to represent the journey its protagonists take.
And I am a sucker for a kick-ass theme.
Of course any heroes (or anti-heroes) are only as good as the villains they face, and Claustrophobia gives you plenty: A clutch of demons with a range of monstrous abilities, and a teeming (infinite) horde of subterranean beasts called trogs.
You get 11 troglodytes in total, and while I really like the miniatures, and I love the concept of a wave of monsters crashing against that small force of humans, I do find the trogs a little disappointing. These doomed men are supposed to be trekking through Hell, so I would expect the monsters to reflect that. But instead of monstrous, tentacled fiends, and damned souls, there are these generic goblin creatures.
Rounding out the evil forces is a single demon miniature. There is only ever one demon in play at any time, and this miniature is used as a proxy to represent any of seven different demon types (with the current scenario dictating which demon is available). It is disappointing to see one miniature standing in for seven distinct and imaginative villains, but it is an acceptable compromise to keep the costs down. On the plus side, the demons are varied and really change up how each game plays. Some demons hunt their prey, becoming stronger each time they draw blood, while others are gargantuan fiends that block the corridor, preventing the heroes from slipping through into the tunnels beyond.
And while we're talking about variety, let's mention the game tiles: 32 of them. 32 tiles that fit together in almost limitless combinations to create unique underground mazes. For some scenarios, the board is predefined; but in many of the scenarios, the board grows as the heroes explore. They start at an entrance tile, and cautiously delve into darkness, randomly drawing new tiles that may be flooded chambers, narrow corridors where blood-hungry tentacles lash out from the walls, or breeding chambers where the trogs hatch.
When I first purchased the game, I was slightly underwhelmed by the lack of variety in the enemy characters, and the very limited range of weapons and armour for kitting out the team of heroes (there are only six equipment cards, and two of them are duplicates). I believed there was a requirement for an expansion. However, I admit I was wrong. There is an expansion out now, and another on the way, but you really don't need them.
This is a complete game.
With six scenarios out of the box (and more online), advanced rules for team creation through a reverse auction, and a massive variety of tiles, it is going to be a long time before you start to feel like you have "seen it all before."
And as for a limited variety of villains... Well... There may be a limited number of miniatures, but over the course of several games you will face trogs, tough trogs, fast trogs, burrowing trogs, frantic trogs, suicidal trogs, seven flavours of demon, possessed humans...
There really is a lot going on here.
And I haven't even talked about the mechanisms yet.
Here's how it goes: Each turn, the good player rolls a number of dice equal to the number of characters in the team, allocating one dice to each character. The number on the allocated dice dictates which of six unique stat lines the character uses for that turn.
Things get more complicated when characters start to get wounded. Every wound a character takes blocks one of the stat lines. If you allocate a character a dice with a number corresponding to a wounded stat line, then that character is exhausted. He can't move or attack, and he gets a very low defence score for the turn. Furthermore, every time a human character dies, you roll one less dice for generating stats. Your options dwindle, the pressure mounts.
Thematically, it's perfect: Over time, your characters become weaker, less capable of fighting, slower... They stumble more frequently, they get lost in the winding tunnels, they panic. They are bleeding. God... there's blood everywhere. And the shadows... There are so many trogs. Too many demons. The enemies are remorseless, relentless... And what can men do against such reckless hate?
The answer is obvious.
They can die.
And there will be death. It is close to a miracle for all of the humans to survive the ordeal. Indeed, they are not expected to survive.
There is a reason these men are condemned.
In Space Hulk, the tension derives from the inclusion of a timer to add pressure for the marine player. Things move fast. Too fast. One turn can end it for the marines. But in Claustrophobia, you get to see in agonising detail as your team gets picked apart.
At the start of the game, the heroes are strong and the trogs are weak. Over time, little injuries stack up. The heroes begin to weaken, but the army of trogs grows ever stronger. The scales balance, and then slowly... terrifyingly... inevitably... they tip.
The tables turn.
First your heroes take a few wounds, then they begin to bleed out. Someone becomes exhausted. He collapses, with the sound of approaching trogs ringing in his ears.
He begs the others not to leave him behind.
But they cannot stay. Not here.
Not in Hell.
Every moment wasted brings them closer to failure, and so they press on, leaving their fallen colleague to the clamouring masses of the troglodyte horde.
It is horrible to watch as your small force of humans gets eroded. Horrible, and magnificent. You really start to invest in your characters. It hurts when you lose one of them, or when you have to make that tough call to sacrifice someone for the good of the team.
This is actually one of the cruellest, most vicious games I have ever played.
And I've played Monopoly.
After the dice allocation, any characters that are not exhausted get to move, explore, and fight. But there are no grids for defining your movement here; there are no range rulers for figuring out who is in your line of sight. This game is far too streamlined to worry about things like facing and flank attacks. This game is far too busy being all kinds of crazy fun to let that kind of thing get in the way.
Here, a movement of one space means moving from one board section to an adjacent board section (revealing a board from the stack if necessary). If you are on a board section you can attack any other piece on that board section, and if you have a gun you can attack any piece on an adjacent board section that is not blocked off by a wall.
There are a few simple movement rules (no more than three pieces from each side on a single board, and you can't leave a board if you have less pieces on that board than your opponent does) but there is nothing complicated. The game actually pushes as many rules out of the way as possible, so you have a direct view of your opponent.
After all, this is a battle, and you want to look your opponent straight in the eye when you land the killing blow.
However, that doesn't mean this game lacks meaningful decisions. The order in which you move your characters is vital, as some characters never get pinned (the Blades), and some prevent enemies from leaving the tile even when outnumbered (the Brutes). You need to know when to run, when to stand and fight, when to explore a new tile, when to guard a demon entry point to prevent new monsters arriving in play, when to concede ground, when to play one of your valuable and ridiculously rare advantage cards, when to sacrifice a character for the good of the team, when to activate a Redeemer's special ability. The list goes on, and that's just the decisions you face when you are playing the humans.
The demon player has an entirely different set of challenges to face, and an entirely different set of game mechanisms to work with.
At the start of each demon turn, the demon player rolls a set of dice and uses those dice to generate monsters or other special powers. For example, it is possible to allocate two dice with odd numbers to give all trogs +1 movement for the turn. Similarly, it is possible to allocate any combination of dice with a value of 12 or more to spring a trap and automatically wound a hero character.
Playing as the demons isn't easy. It may look like using the humans as chew toys is simple, but the condemned warriors have nothing to lose and everything to gain, and they have no intentions of going down without a fight. These are men who won't think twice about throwing a grenade into a room of trogs, even if one of their allies is already in there. These are men who will do whatever it takes. And a bit more.
And that's what you get with this game.
You get drama.
You get a lean, tightly-packed set of rules that allow you to create stories you are going to talk about long after you have put the toys back into the box.
You get despair, exhilaration, last-gasp victories, crushing defeats. And you get a challenge, regardless of which side you are playing. The demon player really has to work to win. It takes effort to evict the human scum from the tunnels of Hell.
Of course, not every scenario is evenly balanced. Some missions are harder for one side or the other, so it is always a good idea to play each mission twice, swapping sides at half time. There is also one mission that I personally believe is almost impossible for the demon player to win, even against a sub-par opponent. But that's okay. Every scenario-based game has at least one clunker in the mix, and while it is a little disappointing, it does not detract from what is otherwise a first-rate game, with stunning presentation, and far more replayability than you might think.
Certainly more replayability than I first thought.
If you like asymmetric, theme-heavy, beautiful, tense, squad-level miniatures games, there really isn't much more I can say. So, what are you waiting for?
Go to Hell!